But this. This is something else. Here Harper not only taps solidly into the anguish—frankly, any musician should be able to do at the very least a half-decent job of that, given the source material (meaning both the song and the horrific history behind it)—but finds places to go with the melody and harmony that even Crosby, Still, Nash and Young missed...and that ain't no easy task.
Monday, July 21, 2014
Ohio
I'm not a huge Ben Harper fan. I've nothing against him, either, I just haven't heard a whole lot of his stuff and what I have heard has been okay but hasn't really grabbed me.
But this. This is something else. Here Harper not only taps solidly into the anguish—frankly, any musician should be able to do at the very least a half-decent job of that, given the source material (meaning both the song and the horrific history behind it)—but finds places to go with the melody and harmony that even Crosby, Still, Nash and Young missed...and that ain't no easy task.
But this. This is something else. Here Harper not only taps solidly into the anguish—frankly, any musician should be able to do at the very least a half-decent job of that, given the source material (meaning both the song and the horrific history behind it)—but finds places to go with the melody and harmony that even Crosby, Still, Nash and Young missed...and that ain't no easy task.
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