Showing posts with label Drive-By Truckers. Show all posts
Showing posts with label Drive-By Truckers. Show all posts

Tuesday, October 4, 2016

What It Means

The vice presidential debate just finished and now the talking heads are talking their heads off. But for some reason this song is going through my head, just like it has for much of the week.


He was running down the street when they shot him in his tracks
About the only thing agreed upon is he ain't coming back
There won't be any trial so the air it won't be cleared
There's just two sides calling names out of anger out of fear
If you say it wasn't racial when they shot him in his tracks
Well, I guess that means that you ain't black
It means that you ain't black
I mean, Barack Obama won and you can choose where to eat
But you don't see too many white kids lying bleeding on the street

In some town in Missouri but it could be anywhere
It could be right here on Ruth Street, in fact, it's happened here
And it happened where you're sitting, wherever that might be
And it happened last weekend and it will happen again next week
And when they turned him over they were surprised there was no gun
I mean, he must have done something or else why would he have run
And they'll spin it for the anchors on the television screen
So we can shrug and let it happen without asking what it means

What it means
What it means

Then I guess there was protesting and some looting in some stores
And someone was reminded that they ain't called colored folks no more
I mean, we try to be politically correct when we call names
But what's the point of post-racial when old prejudice remains
And that guy who killed that kid down in Florida standing ground
Is free to beat up on his girlfriend and wave his brand new gun around
While some kid is dead and buried and laying in the ground
With a pocket full of skittles

What it means
What it means

Astrophysics at our fingertips and we're standing at the summit
And some man with a joystick lands a rocket on a comet
We're living in an age where limitations are forgotten
The outer edges move and dazzle us but the core is something rotten
And we're standing on the precipice of prejudice and fear
We trust science just as long as it tells us what we want to hear
We want our truths all fair and balanced as long as our notions lie within it
There's no sunlight in our ass' and our heads are stuck up in it
And our heroes may be rapists who watch us while we dream
But don't look to me for answers 'cuz I don't know what it means

What it means
What it means

Sunday, February 7, 2016

Like a Rolling Stone

So I guess this has been a thing for ten years and I'm just now coming across it. In an effort to make up for lost time, I've listened to it on repeat for 5 hours now. And it's not getting old.

This is probably the finest cover of this great song I've ever heard—although that's actually kinda damning with faint praise, since I've heard a few good covers (Jimi Hendrix, Green Day), a couple okay (the Rolling Stones' version actually was better than I'd expected if still not exactly transcendent) and a bunch of terrible (John Mayer, sure, but David Gilmour?! What were you thinkin', man?), but few if any great. (Maybe Hendrix simply set the bar too high with "All Along the Watchtower," but I find his "Like a Rolling Stone" good—of course it is, it's Jimi—but far from great).

But the Drive-By Truckers make this their own without changing a damn thing. The finest southern rock band since the heyday of the Allman Bros and Lynyrd Skynrd, one listen makes it clear that they've heard the original hundreds of times. And like Dylan, they're fluent in rock, country and blues, as well as alternative. And the fact that each verse is sung by a different band member is sheer gold, bringing to mind the glory days of The Band, not inappropriately. Having the finest singer-songwriter of the past decade, Jason Isbell, taking a verse certainly doesn't hurt, but so good are the others that his doesn't even (especially) stand out (much); Patterson Hood's Henleyesque voice fits perfectly, and the addition of Shonna Tucker is always a welcome one, while Mike Cooley's country punk caps things off perfectly. And when they all shout the final chorus, it brings it all home in a way the song hasn't often since being played fuckin' loud at the semi-apocryphal Royal Albert Hall gig.


So how does it feel? Pretty sweet, actually.

(Also, the pumpfake of the snare shot at the beginning's pretty damn funny.)