I'm a big fan of the generations that had the extreme misfortune of following mine. Huge fan. I'm Team Millenial and Team Gen Z all day. All. Day. But what they seem incapable of understanding (as with a distressing percentage of my own generation, and most of all those...you know...Boomers) is that Journey pretty much sucks. Arguably as a band and definitely as a corporation.
Look, I've come around on "Don't Stop Believin'," in large part because the drums are phenomenal and the structure is weird, and that's more than enough to overcome the arena rock platitudes and geographic sloppiness. Also, to be fair, it's truly hard to come up with a stadium stomper as powerful and enduring. So.
But in general Journey is the anti-Beatles. They are five insanely talented musicians who together produce significantly less than the sum of their parts.
Except...I really like some of their stuff. Which doesn't mean it doesn't suck. It just means that blind pigs and being a certain age and all that. So no matter how awful the video for "Separate Ways" is—and it is—the song's pretty kickin'.
And even as my most sneering, as only a teenager can be (or one who remains terminally teenaged into his dotage), I always liked "Faithfully." I liked the backstory about Jonathan Cain's wife asking if he was ever tempted to cheat whilst on the road, and how he wrote this lovely ballad in reply. (The fact that he did indeed subsequently cheat on her, leading to their divorce may take some of the shine off the song but, hey, trust the art and not the artist and all that, right?)
One of the delightful surprises over the past decade is watching as Miley Cyrus not only seems to have pulled herself out of what looked like a disaster spiral but has subsequently revealed herself to be one hell of an artist. I can't claim to be an expert, having heard fewer than two dozen of her songs, but every cover I've heard her do has been at least good and some have been extraordinary.
Such as this casual walk through "Faithfully." The ease with which she dips in and out of it while talking with the audience at the famed Chateau Marmont is striking. And her husky voice is a wonderful counterpart to Steve Perry's crystalline vocals on the original.
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