One of the things which never gets old about being a music fanatic (well, so far, at least) is how way can lead to way. You're reading a piece about a favorite artist and they mention some other artist, whom you've never even heard of before. And because we currently live in the age of miracles, you can just search for this new artist—the band Mount Eerie, which is apparently largely the work of Phil Elverum—and you discover he's been recording since the beginning of the century and you've just missed him. So you zip on over to YouTube and not only the song mentioned but indeed the entire album (2017's A Crow Looked at Me) is available, thanks to the artist himself. And you dive in and a bit later you hear a song and it just hits like a gosimer wrecking ball.
And thanks to that websearch, you know that this album was not only written in the wake of his young wife's death but indeed in the room where she died, using her own instruments.
Today I just felt it for the first timeThree months and one day after you diedI realized that these photographs we have of youAre slowly replacing the subtle familiarMemory of what it's like to know you're in the other roomTo hear you singing on the stairsA movement, a pine cone, your squeaking chairThe quite untreasuredIn between timesThe actual experience of you hereI can feel these memories escapingColonized by photos narrowed down and told my mind erasingThe echo of you in the house dies downOctober wind blowsIt makes a door closeI look over my shoulder to make sureBut there is nobody hereI finally took out the upstairs bathroom garbage that was sitting there forgotten since you were hereWanting just to stay with usJust to stay livingI threw it awayYour dried out, bloody, end-of-life tissuesYour toothbrush and your trashAnd the fly buzzing around the roomCould that possibly be you too?I let it go out the windowIt does not feel good
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