Or is it? I've read several pieces arguing that, taking the era in which it was composed into account, it's actually just the opposite: a female somewhat flaunting conventions in a maybe kinda sorta subtle yet definite way.
There's definitely something to the case. And yet it's hard to shake the (nearly) original predatory feel I had (nearly) originally. Rapey? Transgressive? I haven't decided yet.
But what I have decided is that listening to two of the main voices from Schoolhouse Rock covering the song is incredibly wonderful, as despite her toydoll-like vocal stylings, I can't help but feel that Blossom Dearie did whatever she wanted whenever she wanted.
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