Miss You

Now this is how you cover a song. It's (almost) instantly recognizable and yet with only relatively minor modifications completely transmogrified through force of will and strength of personality. The irony of another artist taking a song by perhaps the most famous white blues band exploring disco and bringing their disco hit back into the blues is delightful. Admittedly, it's not quite as surprising, given that it's the undeniable Etta James but still. One has to assume the Rolling Stones were more than a little pleased, if possibly also a little abashed.