Picking out highlights from a show this great is easy and difficult—there are plenty to choose from, but so many, it's tempting to just say "listen to the whole damn thing." But even so, some things stand out at you. Such as the great Professor Roy Bittan's closing solo on "Racing in the Street." His piano has a curiously tinny timbre, almost like a tack piano. But that doesn't obscure—if anything, it might make it easier to hear—the brilliance of his playing here.
Bittan casually invents melody after melody in his closing solo that, any one of which could have graced a hit single in the 1970s. Seriously, listen to his phrases, almost any of them. Now imagine a singer from the late 1970s, like Jay Ferguson or Michael Martin Murphey or Andrew Gold or Dan Hill or someone like that. Can't you just hear one of them basing a song around some of those phrases? They sound like the third and fourth lines of a five line stanza, something that follows the main melody and sets up its return. And he's doing it more or less on the fly in front of nearly 18,000 people.
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