Energy

It can't be easy to borrow a line from a song as great and catchy and well-known as Jackie DeShannon's great "Put a Little Love in Your Heart" and not the rest of the song. Props to the Apples in Stereo for somehow finding someplace else to take this song.

The Original White Stripe

Great visuals. But something about it always seemed familiar to me. What could it have been...or who...

'

Oh. That's right.

Everything old is new again.

Valentine/Drain You

So Tommy Stinson recently said this:

It may have been time, but the timing was less than ideal. The year the Replacements wandered off into the sunset, Nirvana dropped "Smells Like Teen Spirit," effectively ushering in the alternative-music revolution that would dominate rock culture in the '90s. It was the unlikely triumph of underground culture, and it's hard not to think the Replacements, having been key players, wouldn't have benefited somehow from that breakthrough. 

"I'll be honest with you," Stinson says. "I never really got the connection, to be frank. I didn't hear anything in Nirvana or any of the so-called grunge bands that had anything to do with us. I really didn't. In my mind, we were more a sort of rock and roll, sort of almost rootsy punk-rock kind of band. That stuff was more metal-leaning to me. Having people make a lot of to-do about them sounding like us or any connection, I think, was a bit of a misstep in the journalistic world. Aside from wearing flannel shirts."

Which just...

I mean.

Tommy. Tommy.

I love you, brother, I really do, as much as one guy who's never met another guy can love that second guy. But I'm going to say you're a mite too close to see what's pretty obvious. Which is that this, amongst many other things:

pretty clearly helped give birth to this:

Now, look. Don't get me wrong. I'm not going to say you guys are on the hook for a paternity suit or nothing. The breakdown, por ejemplo, pretty clearly owes way more to, say, early Led Zeppelin than it does vintage 'Mats (or even later LZ)—although if, Kurt Cobain's underrated guitar playing aside, Nirvana had had a Bob Stinson in the band, that breakdown might (would) have sounded mighty different. And I loves me some Chris Mars—one of the great drummers of the post-punk 80s, and a fine songwriter in his own right—but he ain't no Dave Grohl: them's some bigass drums being played on this song, sounding (as always) far more like John Bonham than someone from Sonic Youth or Hüsker Dü or R.E.M. or, yes, the Replacements.

But the drum part itself? That could have been written by one Christopher Mars. The melody? Paul Westerberg, without question. The bass? Well, okay, that doesn't sound much like Tommy Stinson, I'll grant you, although Grohl's harmony vocals kinda do; Tommy was and is a great bassist, but Krist Novoselic—one of the most important and most unheralded bassists in history, Iggy Pop perceptively aside—doesn't seem to have been much influenced by him, at least to my ears. Even Cobain's voice has that Westerbergian ability to be sweetly vulnerable one minute and then gravelly and rock as all get out the next second.

Sure, Nirvana was heavier, although much of that was simply that they were of their time as the Replacements were of theirs. But the basic DNA underpinning each band? It might be too much to say they were twin brothers of different mothers...and then again, it really might not be.

Misfits/Sixteen Blue

DT and I were speaking recently of the various ties between bands, influences of older artists on younger, as well as contemporaneous artists sometimes symbiotic relationships.

I've been in a Kinks mood recently, and I'm always in a Replacements mood, which may be why, upon hearing this song for the first time in 20+ years, it sounded so clearly proto-'Mats.

Tell me that doesn't sound like the blueprint for this.

From the lyrical thrust to the arrangement down to the melody to even the playing, with its pop elegance juxtaposed against a country background; I mean, even the first few seconds of each sound like, at most, first cousins—appropriate, given the genetic bonds at the heart of each bands' genesis.

It's no coincidence that the Replacements would bear more than a few similarities to the Kinks: both were fronted by amazing lyricists but massively aided and abetted by a sometimes unheralded group of musicians with whom they grew up. Both had aspirations far beyond "mere" rock and roll, but Cole Porter be damned, neither could help but return to balls to the wall rock again and again.

Paul Westerberg once talked about how maybe some bands had done the ballads better, and maybe some had done the hard rock better, but that no band had ever done them both as well as the Replacements. As a diehard fan, I find it hard to entirely disagree...but when listening to the Kinks it's hard to entirely buy in, either.