Showing posts with label Matthew Sweet. Show all posts
Showing posts with label Matthew Sweet. Show all posts

Friday, January 18, 2013

Favorite Song Friday: Sick of Myself

When DT first suggest Favorite Song Friday, I immediately thought, "you're an idiot." But, to be fair, that's only because that's always my first thought every time he suggests something and, again, to be fair, only because he is. (The fact that he's less of an idiot than I is immaterial.)

My second thought: wow, great idea. Love it.

My third: what'll my first favorite song be?

My fourth and last ever thought: duh.

When it comes to things I really love, it's not unusual for me to not know how I feel about it for a while. I rarely go from disliking something to loving it, or even from liking it okay to loving it, but I very often go from "I don't know how I feel about this" to "oh my God, I love this."

"Sick of Myself" is not one of those. It's one of those fairly rare instances where I fall deeply, madly, head over heels in love within seconds.

I loved the opening, the chicken scratch guitar count off, instantly. By the time the chord progression had been played through once, I was all in. When the entire band kicks a few seconds later, I was ready for marriage. By the time we got to the first line of the chorus I'd amended my will. By the end of the second chorus, with its cool extra line in the minor, I'd transfered all my earthly possessions. And after the entire thing was over—including not one but two false endings! two of them, for pete's sake!—I had my tantō in hand, ready to disembowel myself, if that's what the song demanded. Fortunately (for me, at least), it didn't.

I'm not exaggerating. (Okay, well, maybe slightly.) The first time I put it on the stereo, as the count off started, I remember nodding my head. When the guitar started, I actually said out loud, "oh my GOD." We were made for each, this song and I.



Everything about this song is amazing. The melody is irresistible without being cloying, the lyrics are clever yet insightful (an interesting and rare look at the way early infatuation can actually make one question one's own self-image) without ever veering close to the pretentious, and the playing is simply spectacular—including the incendiary Richard Lloyd playing a bitingly angular solo that would seem completely out of place in such a poppy tune, yet which instead manages to elevate the entire thing emotionally and conceptually.

I've listened to this song hundreds of times and I don't think I've ever been in any mood where I wouldn't be delighted to hear it. A song like this—or pretty much his entire Girlfriend album, an utter masterpiece—makes you think Matthew Sweet would and could have been heir to the Brian Wilson/Paul McCartney pop-rock crown, something which clearly didn't happen. At times that seems like it's a shame. But when you've got even one gem this flawless, well, that's more than enough.

Tuesday, June 19, 2012

I Wanted To Tell You

I've been listening quite a bit to Girlfriend lately. Despite Scott's prescient warnings to avoid listening too often to masterpieces at the risk of taking away even a shred of their stunningness (and he's right), I haven't been able to help myself lately with this album. Matthew Sweet has never done anything better, but that's hardly fair to say. Because honestly, very few people have ever done anything better than this 1991 piece of immortality.

But I have always gotten so caught up in the brilliance of the albums earlier tracks (it's hard to find many albums anywhere that could ever beat the five song run starting with "I've Been Waiting" and culminating with "Evangeline"), that I've forgotten that tucked deep inside the 15-song collection is some rather amazing gold. Songs I rarely think about first, second or third when I think of this album, but just knock me over with how good they are.

Case in point right here. Just beyond the midpoint of Girlfriend comes this song. A virtually perfect pop song, with some of the extra special touches Sweet always seemed so good at employing: Richard Lloyd's jagged, menacing guitar, the soaring harmonies at the chorus that lend such a rich glow, and the plaintive, searing ernestness of the lyrics. Girlfriend is an album filled with sadness and poignance that delivers the goods over and over again. Never moreso than on "I Wanted To Tell You."