Friday, April 28, 2017

Favorite Song Friday: People Who Died

One of the great things about punk, past all of the anger and the pathos and the defiance and so much else, is that so many of the standard bearer punk rock songs, when you cut to the core, are just so melodic. Think Patti Smith at her best. Or the Stooges with "Search and Destroy," among others. Or basically the entire Ramones catalogue. The list goes on, from "London Calling" to "American Idiot" and everything else in between. All of these young (and not so young) punks had something loud and urgent to say, but dammit if you couldn't sing along with it while they did. Or even, in some cases, dance to it.

That's what I love about today's entry in our occasional "Favorite Song Friday" series.

Favorite Song Friday: People Who Died — The Jim Carroll Band

This is punk rock. I mean this is punk rock with a capitol damn P. Jim Carroll was many things and was really really good at all of them. He was a neo-beat poet who grew up worshiping the likes of Allen Ginsberg and William S. Burroughs. He was a best-selling author whose The Basketball Diaries remains as visceral a depiction of the urban nightmare of despair and addiction as anyone has ever written. He hung with and had the respect of the the proto-punk New York crowd, the likes of Patti Smith and Lou Reed and Robert Maplethorpe. He was a young basketball star who lived through addiction and survived addiction, with the scars to prove it. And in his spare time he fronted a punk/new wave band, The Jim Carroll Band, that while they weren't quite The Clash or The Ramones or Black Flag, for a brief while in the early 80s they were pretty damn good and a pretty damn clear representation of what New York City punk rock was really all about. Carroll's poet's soul, his storyteller's mind and, yes, his punk rocker's heart resulted in at least one truly great piece of punk artistry, "People Who Died."



There's not much more to this song that a churning 4/4 beat, a breakneck bassline, a couple of very tasty guitar solos and an eight-stanza glimpse into Jim Carroll's personal definition of hell. "People Who Died" is a literal list of what the title says; people in his life who died young and painfully, either from disease, ODing, war, murder or suicide. Every inch of the eight verses (three of which are repeated at the end) gives us a rapid-fire memorial of people in life whom he lost.

Carroll doesn't really bother trying to sing, he more raps and rasps his way through the hyperpaced list of the lost. And the words are so tragic and gripping you practically want him to stop, to say "No mas." But then comes the chorus and the song shifts from the frenetic poetic dirge to a fist-pumping rally cry to the lost. "Those are people who died, died!" he shouts/sings, "Those are people who died-died! They were all my friends! And they died!"

You shouldn't be able to dance to those words. Or sing along with passion to those words. Or allow those words to liberate you and make you rise from street-level where all the dead bodies lay to a place beyond death and despair where actual life can be celebrated. There's no way that should be possible in a song that is so riddled with death from opening to close. But you can. You can because Jim Carroll didn't just write down a list of people who died. He wrote a song to remember, mourn and, yes, celebrate them.

And read the lyrics. This is gutter poetry at its very finest, something only someone who had lived it and somehow emerged from it could possibly write:

Teddy sniffing glue, he was 12 years old
Fell from a roof on East 2-9.
Kathy was 11 when she pulled the plug
26 reds and a bottle of wine.
Bobby got leukemia, 14 years old
He looked 65 when he died, he was a friend of mine.

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
They were all my friends! And they died!

G-burg and Georgie let their gimmicks go rotten
So they died of hepatitis in Upper Manhattan.
Sly in Vietnam took a bullet to the head
Bobby OD'd on Drano on the night he was wed.
They were two more friends of mine, two more friends that died!

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
They were all my friends! And they died!

Mary took a dry dive from a hotel room
Bobby hung himself from his cell in the tombs.
Judy jumped in front of a subway train
Eddie got slit in his jugular vein.
Eddie, I miss you more than all the others - and I salute you brother!

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
All of my friends, they died!

Herbie pushed Tony from a Boys' Club roof
Tony thought his rage was just some goof.
But Herbie sure gave Tony some, some bitchin' proof.
And Herbie said, "Tony, can you fly?"
But  Tony couldn't fly. Tony died!

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
They were all my friends! And they died!

Brian got busted on a narco rap
He beat the rap by rattin' on some bikers.
He said, "Hey I know it's dangerous,
"But it sure beats Rikers."
But the next day he got offed, by the very same bikers!

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
They were all my friends! And they died!

Teddy sniffing glue, he was 12 years old
Fell from a roof on East 2-9.
Kathy was 11 when she pulled the plug
26 reds and a bottle of wine.
Bobby got leukemia, 14 years old
He looked 65 when he died, he was a friend of mine.

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
They were all my friends! And they died!

G-burg and Georgie let their gimmicks go rotten
So they died of hepatitis in Upper Manhattan.
Sly in Vietnam took a bullet to the head
Bobby OD'd on Drano on the night he was wed.
They were two more friends of mine, two more friends that died!

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
They were all my friends! And they died!

Mary took a dry dive from a hotel room
Bobby hung himself from his cell in the tombs.
Judy jumped in front of a subway train
Eddie got slit in his jugular vein.
Eddie, I miss you more than all the others - this song is for you my brother!

Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
Those are people who died, died!
All of my friends, they died!

Jim Carroll died in 2009 at 60, far too young but, I suppose, way longer than he may have ever expected to live given his descent in his young life into heroin and hell. But he left behind a diverse and indelible canon of work that any writer would have been proud to call their own.

"People Who Died" was part of that canon. A big part. A song for the dead and dying. Written and delivered by someone who was and remains very much alive in a world he helped to shape.

Monday, April 24, 2017

Season of the Witch


Call this a guilty pleasure song, I guess. Or maybe it's a really really good song. I mean, I think it's a really really good song. So that should count for something, right?

I've always been a little funny when it comes to Donovan. I tend to err on the side of appreciating him more than I think others of my generation do. Which is to say, people who were nowhere close to being alive when many of his biggest songs like "Catch the Wind," "Mellow Yellow," "Sunshine Superman" and the song I am writing about today were written. And barely alive when his career peaked and started to fade by the late 60s. But some obvious annoyances notwithstanding, like his tendency towards overwroughtedness in his voice and his seeming penchant to take himself way too seriously at times, he was a pretty solid songwriter who had a fine understanding of melody and was never afraid to take chances. So sue me. I like Donovan!

(Actually, don't sue me if you don't have to. My kid starts college this fall and that's really the last thing I need).

So. "Season of the Witch." Yeah, guilty pleasure or not, I love it. So there it is.



No, I don't know what's talking about or singing about. His talent for writing sweet and moving lyrics (like the lovely and aforementioned "Catch the Wind") kinda takes a vacation in this one. ("When I look out my window, so many sites to see" is the kinda line that would merit an "Incomplete - please elaborate" if turned in for a high school English class. And the rest of it just seems to be filler until we get to the title line.) That annoying voice thing comes back, sounding like someone trying to sound grown up as he orders his meal in a really fancy restaurant.


The music, however, is outstanding. It starts with these haunting, twangy guitar strands that seem to lean more on a band like the Yardbirds than on the usual Donovan hippy-dippy-trippy stuff. There's a seething nature to the way the bass lopes menacingly underneath it, like an animal waiting to strike. Even those damn lyrics and that damn singing voice don't get in the way of the music setting an eerie stage. And when Mr. Leitch then goes up a register and actually "sings" for realsies the way we know he can, the song starts to get fully realized. It's almost like he's setting a trap and waiting patiently for it to be tripped as the music builds behind him.


But then, oh man. Once he gets to the "chorus," repeating the "stitch" line three times before that spring-loaded trap releases and we are hit like a right-cross with the payoff: "Must be the SEASON OF THE WIII-III-ITCH," all bets are off. The song becomes as commanding and overpowering as any of that era. And dammit if that isn't a great rock-n-roll moment right there. It's got everything we love about music. Tension, mystery, delightful moments of interplay and one mother of a punchline. And at each chorus, when Donovan employs this time-tested trick, it works like gangbusters; every time the song reaches its highest height with the thrice-repeated title line, it's as fresh and startling as the first time we've heard it. Well done, sir. Well done.

Lastly there's the guitar. Which starts as forboding little fills but when Donovan rips out that "witch" line, there's some awesome guitar work going on alongside it, a jangle that seems to be the marriage of blues and electric folk and seems to be borrowed from the likes of the Animals and (here's that band again and, hint hint, remember I said this) the Yardbirds. It's some serious chops and technique on display here, and honestly, I didn't think Donovan had it in him; nothing he's done before or after really reminds me of this kinda playing. I mean, he seems to be a fine acoustic guitarist, but this doesn't sound like him.

Because as I have now learned, it isn't. It's this little fella here:






















Mayhap this was common knowledge to some, that Jimmy Page played on many of Donovan's tracks during this time (including "Sunshine Superman") but it was news to me. I mean, I knew he was a coveted sessions player in his pre-Yardbirds days and even during, but never ever knew this was his handiwork until very recently. And I was as delighted as I was fershimmeled. Huh!

So there we go. Great rock-n-roll, as least as far as I'm concerned. Guilty pleasure or not. And regardless of whatever the hell he's talking about.

Wednesday, April 5, 2017

Daybreak

Congratulations to one of my favorite ever musical artists.